They Were the Nice, Older Couple Next Door. Then the First Body Turned Up.

The older couple first got here to the public eye on a winter evening in Tehran, when their movie director son invited them to the stage after a screening. They had been frail, and seemingly shy, and the youthful man helped his mom up the stairs, then draped his arm round his father’s shoulder.

That was 5 years in the past.

Now their son is lifeless, and Akbar Khorramdin, 81, and his spouse, Iran Mousavi, 74, are again on the public stage, accused of his homicide and, in a twist that has shocked and riveted Iranians, the killings of a daughter and a son-in-law over the course of a decade. The victims had been drugged, suffocated, stabbed after which dismembered, the authorities say.

The couple has confessed to the crimes, but when Mr. Khorramdin, a retired military colonel, and Ms. Mousavi, a homemaker, are remorseful, they’ve completed job hiding it.

“I have no guilty conscience for any of the murders,” Mr. Khorramdin mentioned in a tv interview from detention. “I killed people who were very morally corrupt.”

Ms. Mousavi appeared no extra contrite.

“We decided together, the two of us,” she mentioned in a tv interview shortly after she was arrested. “My husband suggested it and I agreed. I have a great relationship with my husband. He doesn’t beat me or curse at me.”

Judge Mohammad Shahriari, who presides over legal prosecutions in Tehran, mentioned the investigators consider the motive for the murders was household disputes. The couple are present process psychiatric evaluations, officers instructed Iranian media.

To say the case has rattled the psyche of Iranians since the stays of the couple’s son, Babak, 47, had been present in a rubbish bin in May could be an understatement.

Already, Iranians had been battered by a raging pandemic, a scarcity of vaccines, an financial system buffeted by sanctions and the prospect of extra social repression as hard-line conservatives take over the government. But the accusations against the elderly couple touched a nerve.

For Iranians, home is synonymous with sanctuary, and elderly parents, especially mothers, are revered as saint-like figures. And so they have reacted with bafflement and then outrage to every twist and turn of the case, and to the parents’ behavior after their arrests.

Photographs in Iranian media have shown Mr. Khorramdin clad in prison pajamas flashing a victory sign. He told the authorities that he would do it all over again — and might even kill his other two adult children, too, if he were released, according to news reports.

The couple were arrested after sanitation workers collecting trash discovered a bag containing body parts on May 15. The discovery was made at a vast, well-known apartment complex called Shahrak Ekbatan, where Babak Khorramdin, a relatively unknown film director, lived with his parents. Forensic experts got fingerprints from a piece of a hand, and identified him as the victim, the authorities say.

When investigators reviewed surveillance camera footage from the building’s elevator the night before the body parts were discovered, they saw the couple transporting large plastic trash bags and a carry-on suitcase, the authorities say. The mother held the elevator door open as the father made a few trips with the bags and adjusted them for space. At one point, video published in Iranian media shows, he glances at the mirror and fixes his cap.

When the police showed up at their apartment to interrogate the parents, they confessed to the killing — but it soon became apparent there was more to the case, the authorities say. Over the next few days, investigators discovered missing-person reports filed for the couple’s daughter Arezou, who disappeared in 2018, and her husband, Faramarz, who went missing in 2011.

The couple then admitted having killed them, too, the authorities say.

Much like serial killers, they adopted a pattern over years, they told interrogators, who gave this account: First the couple mixed sleeping pills into food to sedate their victims. Then they bound, suffocated and stabbed them. Finally, they dismembered the corpses in the bathtub and disposed of the remains in trash bins scattered around town.

In televised interviews, the parents said they had killed their children because they disapproved of their lifestyles. They accused their son of being physically aggressive, and said he was freeloading off them and having sex with girlfriends. Their daughter, they claimed, was addicted to drugs and drank alcohol, while her husband was abusive and dealt drugs.

Friends of Babak and Arezou say those descriptions are impossible to reconcile with the people they knew.

“For those of us who knew Babak, this is all unbelievable and very strange,” said Nima Abbaspour, a 46-year-old film director in Tehran who helped him make his first movie. “They looked like a regular family. He was respectable and mild mannered, a very calm guy.”

“Arezou was a very quiet girl. She never harmed anyone and growing up she was very obedient and didn’t even have boyfriends,” said Jaleh, 47, a classmate and neighbor. Jaleh said after Arezou disappeared abruptly, friends would ask about her whenever they ran into her mother. She told them her daughter had migrated to Turkey.

Still, last week, Ms. Mousavi contradicted her earlier account of her relationship with her husband in an audiotape from prison released by Human Rights Activists News Agency, a Washington-based advocacy group. She said her husband was abusive toward her and she accused him of raping Arezou.

Over the past year, so-called honor killings have been making headlines in Iran. One involved a 20-year-old gay man killed by his brother and cousins, and another a 14-year-old girl beheaded by her father in a small village after running away with her boyfriend.

Dozens of residents said in social media posts that they refused to take the elevator the body was in. And they asked the municipality to remove the trash bin where Babak was found and plant a tree there.

Babak Khorramdin’s friends recall that on that winter night when he invited his parents onstage, he said the movie he had screened was a personal story of sorts, about a homesick immigrant in London returning home to be with his mother.

“His dream was to have an impact on society and on people through his films,” said Amirali Alaie, 41, a cinematographer. “But he will forever be remembered as the victim of one of Iran’s most horrific, violent murders.”

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