Theater to Stream: Stars Gather for ‘Miscast’ and More

“It is about access.” That, put plainly, is the principle cause the Young Vic in London will proceed to livestream reveals even after in-person theater resumes. “Access is our driver,” Kwame Kwei-Armah, the theater’s creative director, mentioned in a current interview. “And this is a way that we make that access just a little more here and now.”

As Broadway and theaters across the United States put together to return to dwell performances, there are nonetheless many questions round problems with ticket worth, equity and programming. Streaming is probably going to stay a part of these discussions since, as you possibly can see within the picks under, it’s extra diversified and, nicely, accessible than ever.

Since 2001, the annual “Miscast” profit for MCC Theater has created an alternate universe wherein gender roles should not a lot erased as gleefully subverted, with performers taking up numbers they might be unlikely to land in typical productions. This 12 months will see the return of Gavin Creel and Aaron Tveit for one other energy duet after their tackle “Take Me or Leave Me,” from “Rent,” turned an on the spot basic 5 years in the past. Other members embody Kelly Marie Tran, Annaleigh Ashford, Renée Elise Goldsberry, Cheyenne Jackson (welcome again!), LaChanze, Idina Menzel, Kelli O’Hara and Billy Porter. May 16-20;

In Britain, “For One Knight Only” gets an encore airing after its premiere in November. Kenneth Branagh hosts Judi Dench, Derek Jacobi, Ian McKellen and Maggie Smith as they reminisce about their incredibly long careers — imagine a highbrow installment of the “Red” film series, except with stars firing off bons mots rather than guns. May 21-30;

In the United States, it’s hard to fathom how wildly popular the playwright Sarah Kane is on European stages: Her uncompromisingly bleak “Crave” hits a raw nerve and responds to a malaise that is often hard to pinpoint. Now, the Chichester Festival Theater in England is again making available its acclaimed production of this “throat punch of a play,” from November. May 19-29;

The company Colt Coeur may be small, but it has an impressive track record unearthing intriguing shows, so we’re ready to gamble on this play about an interracial marriage in 1970s and ’80s Brooklyn, by Eden Marryshow. Steve H. Broadnax III, of Katori Hall’s “The Hot Wing King” and the coming “Thoughts of a Colored Man” on Broadway, directs. May 22-26;

As this cabaret series’ name suggests, it usually focuses on musicals that opened in a given year, but this spring the attention is shifting to songwriters. Start off with “The Kander & Ebb Years” (through May 12), in which Beth Leavel, Ute Lemper and Tony Yazbeck tackle material from “Chicago” and “Cabaret,” but also “Flora, the Red Menace.” Next, Max von Essen, Liz Callaway and Ethan Slater help celebrate everybody’s favorite pandemic hero with “The Sir Andrew Lloyd Webber Years” (May 24-26). So, “Love Never Dies”: yea or nay?

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