‘When Hitler Stole Pink Rabbit’ Review: Growing Up, Far From Home


Painting a curiously cozy portrait of refugee life, Caroline Link’s “When Hitler Stole Pink Rabbit” views displacement and the approaching Holocaust primarily by way of the experiences of a kid, Anna Kemper (a fascinating Riva Krymalowski). The result’s a film that’s nearly as cuddly because the toy in its title.

We meet 9-year-old Anna in Berlin in 1933, simply earlier than the Nazis come to energy. Forced to flee to guard her father, Arthur (Oliver Masucci), a famous theater critic and outstanding denouncer of Hitler, the household — together with Anna’s older brother, Max (Marinus Hohmann), and their mom, Dorothea (Carla Juri) — relocates to the Swiss countryside. While the kids grapple with a brand new language and unfamiliar customs, Arthur struggles to search out work in a rustic he learns is experiencing an inflow of Jewish intellectuals and is petrified of compromising its neutrality.

A transfer to a meager Paris condo solely accelerates their diminishing circumstances. Yet, contemplating the horrors unfolding in Germany, the household’s issues really feel staggeringly trivial. News that the Nazis have looted their residence and burned their books, and that Arthur now has a value on his head, appears to reach from one other planet because the movie focuses on Anna’s growing inventive expertise. It’s troublesome to sympathize with a household whose most urgent issues are a snippy French landlady (Anne Bennent) and the flexibility to afford personal education for just one baby. Indeed, Dorothea’s disdain for public faculties (“They don’t even teach Latin there”) expresses a privilege that feels shockingly misplaced.



Source link Nytimes.com

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