What’s the Deal With That Strawberry Dress on TikTok?


Last summer time, a sacklike white gown mottled with black polka dots promoting at Zara for $50 was all the rage on Instagram. But whereas the discomfiting qualities of 2019 could have known as for one thing shapeless and relaxed, the sheer horror of 2020 calls for an incredulous degree of legendary escapism. Enter: the strawberry gown that took over TikTok.

The gown is a cotton sweet cloud dotted with sequined strawberry motifs by Lirika Matoshi, 24, a designer in New York. With its pastel pink tulle overlay, plunging neckline, and gently puffed sleeves, it seems to be like one thing Marie Antoinette would put on if she have been a modern-day influencer.

While the strawberry gown could not have achieved the ubiquity of its Zara counterpart simply but — it prices 10 occasions extra — it’s enormous on the video platform, the place customers alternately covet, prance round in or throw shade at the flouncy frock. The frequent chorus is: “This dress lives rent-free in my head.”

Alongside quite a few movies of individuals unboxing the gossamer robe and modeling it to their followers, a whole subgenre has emerged of upset clients declaring the flaws in the imitation strawberry clothes they’ve purchased on Amazon or AliExpress.

“The second I laid my eyes on it, I immediately fell in love,” said Ms. Mayeur, whose video unpackaging the strawberry dress has amassed five million views on TikTok. “It reminds me of something you would wear to go to a field with your dog or have a picnic by the lakeshore.”

Ms. Mayeur coveted the dress so deeply that she drew an image of an anime character she invented, Hina Tskuru (who inhabits the “My Hero Academia” universe), decked out in Lirika Matoshi duds. Her followers loved the rendering so much that they began donating to her KO-Fi account in droves, and eventually she amassed enough money to buy the dress.

“It was shocking that my followers cared about me so much and wanted to see me happy that they just gifted this amazing surprise of a dress to me out of the kindness of their own hearts,” Ms. Mayeur said.

Harley Ann Carter, 22, a recent environmental sciences graduate of George Washington University, who lives in Washington, D.C., and whose pronouns are they and them, first saw the strawberry dress when Tess Holliday, a model and actress, wore it on the Grammys red carpet in January.

By May, they had saved up enough money from working at their part-time job at a grocery store on a military base to splurge on the dress as a self-bought birthday present: “It makes me feel like a princess.”

Serena Pinuelas, 22, a nonbinary ceramist from Portland, Ore., said, “The dress just really just sparks joy in people during such an unsettling time. It’s kind of like a symbol of hope and empowerment, almost.” Mx. Pinuelas became obsessed with the strawberry dress from the minute they first saw it on the designer’s Instagram.

When it arrived in the mail, “I basically had a little mini heart attack because I was so excited.” The experience of wearing the dress is “probably the best I’ve felt in a few months,” they said.

Mx. Pinuelas is planning a fancy picnic with their roommates — one of whom owns the similarly ethereal Lirika Matoshi star dress — “where we can all feel like we’re in ‘Pride and Prejudice.’”

Incongruously, a special-occasion gown has taken off during a period in history when events have become verboten. “It looks like something you’d wear to a ball or something you’d get married in,” Ms. Carter said.

But maybe this is precisely the reason for the dress’s popularity? “It gives off a vibe of softness and something delicate and unique in a time of trouble,” Ms. Mayeur said. The garment suggests to her “fun times in the future where you can just go out and have fun and not have to worry about getting sick.”

The designer, Lirika Matoshi, said the dress is based on her own recollections of youth. “It reminds you of better times,” she said.

But Ms. Matoshi grew up in Kosovo during the war, and her childhood was hardly a frolic through a sweet-smelling strawberry patch. “I grew up with horror stories of how much damage the war did to our country, how women were raped and innocent people were massacred,” she said. “My only dream was that one day I will travel and I will represent my country and I will help them as much as I can.”

Ms. Matoshi had expected sales of her diaphanous frocks to fall because of the pandemic; instead, she said, sales have increased 1,000 percent since it went on sale in January. “My whole life is this dress,” she said.

The relatively high price tag of the original may account for the deluge of fan art depicting celebrities like Harry Styles and countless anime characters enveloped in layers of pink tulle. “I tend to draw the clothes I wish I had,” said Ann Marie Cochrane, 23, a freelance artist from Fort Collins, Colo.

Ms. Cochrane drew Taehyung, of the K-pop band BTS, in the strawberry dress. “BTS preaches that they don’t feel clothing is gendered and they wear a mix of boy’s and girl’s clothes, so I thought it would be nice to draw Taeh in a dress because he’s a very pretty boy.”

Sara Aguilar, 21, an art student at the University of Barcelona, found herself enthralled by the “jellyfish-like silhouette” of the dress, and drew a pair of lesbian witches wearing black and pink companion version. Ms. Aguilar suggests canny artists have gravitated toward drawing the meme of the moment in order to expose more potential fans to their work.

With its toothache-inducing sweetness and naïve charm, the strawberry dress masks the pain of the current moment with a sense of hazy enjoyment. It has captured people’s attention precisely because of its frivolity, harking back to a more innocent time when one could roam unencumbered by the crushing specter of death.

“Even though we are in a pandemic and money’s tight for a lot of people, myself included, one day we’re going to get out of this and be able to do the things we used to do, like get fancy brunch or go to the theater,” Ms. Carter said. “Then we’ll be able to wear it.”



Source link Nytimes.com

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