What’s on TV This Week: ‘Jimmy Carter Rock & Roll President’ and ‘RuPaul’s Drag Race’

Between community, cable and streaming, the trendy tv panorama is an unlimited one. Here are a number of the reveals, specials and films coming to TV this week, Dec. 28-Jan. three. Details and instances are topic to alter.

A CHUMP AT OXFORD (1940) eight p.m. on TCM. Here’s a abstract of an early scene from this black-and-white comedy: As a part of a moneymaking scheme, Stan and Ollie (the recurring characters performed by Stan Laurel and Oliver Hardy) pose as a maid and butler at a banquet. Ollie pops a bottle of champagne. He loses management of the cork, which flies into the host’s glass. The host eats the cork. Then Stan walks in wearing underwear, as a result of the host had requested him to serve salad “without any dressing.” The host runs to the kitchen, grabs a shotgun, and chases Stan and Ollie out of the home. This all occurs in underneath two minutes. There are a lot extra gags the place these got here from, each in the remainder of “A Chump at Oxford” (the plot ultimately finds Stan and Ollie amongst English teachers) and within the many different Laurel and Hardy movies that TCM is displaying back-to-back on Monday, from the early afternoon by way of the night time. These embrace TOWED IN A HOLE (1932) at 2:40 p.m., BUSY BODIES (1933) at four:15 p.m. and TIT FOR TAT (1935) at 6:45 p.m., which discover Laurel and Hardy attempting their hand at fishing, laboring in a sawmill and opening restore enterprise.

THE YEAR: 2020 9 p.m. on ABC. For the previous decade, ABC has aired annual editions of “The Year,” a program that does precisely what it seems like it could: It appears again on the occasions of a given yr. The 2020 version, hosted by the journalist Robin Roberts, gathers a roster of visitor commentators together with the actors Eugene Levy and Kal Penn; the previous N.F.L. linebacker Emmanuel Acho; and the nation singer Brad Paisley. Given that it will likely be protecting the occasions of 2020, the particular ought to give Roland Emmerichs’ 2004 catastrophe thriller THE DAY AFTER TOMORROW (airing at 9:30 p.m. on Syfy), a run for its apocalyptic cash.

21 BRIDGES (2019) 11:15 p.m. on Showtime. The just-released film adaptation of the August Wilson play “Ma Rainey’s Black Bottom,” with Chadwick Boseman, takes place almost entirely within the confines of a single building. In “21 Bridges,” a crime thriller directed by Brian Kirk, Boseman has the entirety of Manhattan as his stage. Boseman plays Davis, a New York homicide detective tasked with catching a group of cop killers. To do that, Davis orders a blockade of Manhattan — turning that most famous of melting pots into a deadly pressure cooker in the process. “It’s a big, blunt, battering ram of a movie, but it’s not dumb,” Jeannette Catsoulis wrote in her review for The Times. “The stunts are sharply executed, the actors (including Sienna Miller and J.K. Simmons) unimpeachable and Paul Cameron’s lively camera turns the streets of Philadelphia into a credible-enough Manhattan.”

JIMMY CARTER, ROCK & ROLL PRESIDENT (2020) 9 p.m. on CNN. At one point in this novel political documentary, the 39th president of the United States discloses, with a mischievous smile, this information: one of his sons smoked marijuana with Willie Nelson at the White House. Directed by Mary Wharton, the documentary offers a strange brew of government and culture, looking at Jimmy Carter’s love of rock ’n’ roll music and how Carter used rock as a political tool (the Nelson anecdote is typical of the film). Contemporary interviews with Nelson, Bob Dylan, Bono, Nile Rodgers and several other rock stars combine with Carter’s own recollections to make an “engaging” documentary, Glenn Kenny wrote in his review for The Times. Wharton “makes good on her hook,” he wrote.

MASTERPIECE: ELIZABETH IS MISSING 9 p.m. on PBS (check local listings). Glenda Jackson stars in this film adaptation of a novel by Emma Healey. Jackson plays Maud, an aging grandmother trying to track down her missing friend. That premise could have made for a straightforward mystery-thriller, but for this detail: Maud is struggling with dementia. So her search becomes something more.

Source link Nytimes.com

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