His mother and father nurtured his curiosity in music, shocking him along with his personal drum equipment when he was within the fifth grade.
Information on survivors was not instantly obtainable.
Monte Conner, who signed Slipknot to Roadrunner Records in 1998, stated in a press release on Wednesday that Mr. Jordison’s “manic playing style and innovative drumming were truly unique in every way.”
Mr. Jordison “was an equally great songwriter who understood what went into writing songs with choruses and hooks that connected with and spoke to an entire generation of heavy metal fans,” Mr. Conner stated. “Joey lived and breathed the music and was a total scholar in all things heavy metal. He used that knowledge to take everything he loved about the various genres of metal and combine it all into a melting pot of sounds that had never before been heard.”
In his Golden Gods Award speech, Mr. Jordison stated he had no in poor health emotions towards the members of Slipknot over his dismissal from the band. He requested the viewers to “give them praise,” and fondly recalled his time “in the basements of Des Moines, Iowa,” with Mr. Crahan and Mr. Gray, who died in 2010.
Despite his sickness, Mr. Jordison rededicated himself to music, enjoying guitar for the bands Murderdolls and Sinsaenum, and enjoying drums for the metallic band Vimic.
In May 2000, Slipknot featured prominently in a New York Times article about what some at the time had been calling new metallic or heavy different music. Slipknot, then at the vanguard of that motion, had been rejected by 10 labels earlier than touchdown on Roadrunner Records.
“A guy at Sony told us, ‘If this is the future of music, I don’t want to be alive,’” Mr. Jordison recalled. “I just thought, If that’s what he thinks, then we are doing something right.”
Isabella Grullón Paz contributed reporting.